Foreword |
|
Christopher Krentz |
ix |
|
|
Acknowledgments |
xiii |
|
|
Introduction |
|
Jennifer L. Nelson and Kristen C. Harmon |
1 |
|
|
John Robertson Burnet |
|
The Orphan Mute, 1835 |
11 |
My Sister’s Funeral, 1835 |
18 |
|
|
James Nack |
|
Law Proceedings, 1839 |
22 |
The Last Words of a Bachelor, 1839 |
24 |
|
|
Laurent Clerc |
|
Visits to Some of the Schools for the Deaf
and Dumb
in France and England, 1848 |
31 |
|
|
Unknown |
|
The Wonderful Coffee-Mill, 1849 |
33 |
|
|
Isaac H. Benedict |
|
Aerial Navigation by a Deaf-Mute, 1855 |
36 |
|
|
Mary St. Cloud Belches |
|
A Family History, 1856 |
44 |
|
|
Joseph Mount, “Joe the Jersey Mute” |
|
Recollections of a Deaf and Dumb Teacher,
1858 |
48 |
A Leaf from a Teacher’s Diary, 1865 |
51 |
|
|
John Carlin |
|
Excerpt from The Scratchsides Family, 1868 |
55 |
|
|
Howard Glyndon (Laura Redden Searing) |
|
The Realm of Singing, c. 1872 |
60 |
The Widow Waring’s Christmas Surprise, 1872 |
66 |
|
|
William B. Swett |
|
Selections from Adventures of a Deaf-Mute in
the
White Mountains, 1874 |
74 |
|
|
James Denison |
|
Impressions of the Milan Convention, 1881 |
81 |
|
|
Edwin (Edmund) Booth |
|
Booth’s Reminiscences of Gallaudet, 1881 |
90 |
|
|
Kate M. Farlow |
|
Selections from Silent Life and Silent
Language,
or, the Inner Life of a Mute, 1883 |
92 |
|
|
W.C. |
|
Scene in a Railroad Station, 1893 |
105 |
|
|
Frieda W. Bauman |
|
A Romance of Far Away Cuba, 1900 |
107 |
|
|
Hypatia Boyd |
|
What One Girl Hears and Sees, 1901 |
112 |
What One Girl Hears and Sees (continued),
1901 |
116 |
|
|
Douglas Tilden |
|
Reflections of a Deaf-Mute Philosopher, 1903 |
122 |
|
|
Helen Keller |
|
What I Am Doing, 1905 |
127 |
|
|
Alice C. Jennings |
|
Is It Beneficial to a Deaf Oralist to Learn
the Sign
Language, 1906 |
133 |
|
|
Douglas Tilden |
|
More Extracts from the “Zeno” Mss: The
So-called
“Tribe of Fools,” 1907 |
137 |
|
|
Alice Taylor Terry |
|
Bro. Hart’s “Something Greater,” 1908 |
150 |
|
|
Thomas Flowers |
|
Life after Graduation, c. 1908 |
157 |
|
|
Howard L. Terry |
|
A Sophomore’s Revenge, 1896/1910 |
160 |
|
|
Helen Keller |
|
New Vision for the Blind, 1913 |
164 |
|
|
Margaret Prescott Montague |
|
The Little Sign for Friend, 1915 |
167 |
Enchanted Princess, 1916/1934 |
175 |
|
|
Alice Taylor Terry |
|
Sound—Why Not Let It Alone? 1919 |
188 |
|
|
Vera Gammon |
|
The Three Doors to Knowledge, 1919 |
193 |
|
|
Guie Leo Deliglio |
|
The Test of the Heart, 1921 |
198 |
Miss Hester of Sunset Valley, 1921 |
203 |
|
|
George W. Veditz |
|
De Mortuis Nil Nisi Bonum, 1922 |
211 |
|
|
Howard L. Terry |
|
Selections from Mickey’s Harvest: The
Checkered Life
of an Unusual Boy, 1922 |
214 |
|
|
James F. Brady |
|
Pro and Con, 1923 |
228 |
A Christmas Story, 1923 |
232 |
|
|
Albert V. Ballin |
|
A New York Deaf Artist at Hollywood: Some
Experiences
in Getting a Foothold in the Movie Studios of Hollywood,
1925 |
237 |
|
|
James F. Brady |
|
By Their Signs Ye Shall Know Them, 1926 |
242 |
|
|
Albert V. Ballin |
|
In an Impromptu Don Quixotic Tilt with a
Modern Wind
Mill, called Automobile, with Dire Results to Himself,
1926 |
245 |
|
|
Roger Demosthenes O’Kelly |
|
A Fight with a Highwayman, 1927 |
249 |
|
|
Albert V. Ballin |
|
The Life of a Lousy Extra, 1928 |
253 |
|
|
Howard T. Hofsteater |
|
The Wound, 1930 |
258 |
|
|
Afterword |
|
Octavian Robinson |
259 |